Live Brazilian Wax.mkv NEW!

Intellilink runs on the QNX real-time operating system with voice recognition software from Nuance.[2] It allows users to control online services through apps, like Pandora Internet Radio or Stitcher Radio through voice commands or the touch-screen interface. The car is able to access online content via a smartphone with a 3G data connection connected through Bluetooth.[3] Users are also able to control their phone wirelessly via the same interface. MyLink also integrates OnStar's services (Advanced Automatic Collision Notification, roadside assistance, vehicle diagnostics information, live advisors, and turn-by-turn navigation).[1]

Live Brazilian Wax.mkv

Recorded during the prolonged, messy breakup of The Beatles, McCartney is that rare thing, a genuine solo album, Paul playing everything, bar a few keyboard parts and vocals from 'lovely Linda'. A sparse, underproduced album, some of it was recorded on a four-track at the McCartneys' new farm in Scotland, as well as the ubiquitous Abbey Road. Many of the songs are no more than sketches, but the whole thing was a canny move on Paul's part, in retrospect, highlighting how overblown the Beatles had become in comparison. The album has produced only one song of any real consequence, Maybe I'm Amazed, a major hit years later in its live form, although Macca fans rate the album fairly highly. MkII Mellotron on one track, Singalong Junk, an instrumental version of the earlier Junk with a background string part, but nothing you couldn't live without, to be honest. The 2011 two-disc Special Edition adds a handful of tracks, including live versions from almost a decade later and Maybe I'm Amazed from 1974's One Hand Clapping unreleased 'live in the studio' session, complete with Linda's Mellotron strings. Next up was the first Wings album proper, Red Rose Speedway; in all honesty, it's a horrendously dull album of mid-paced, unexciting early '70s soft-rock, which is probably why they were so fantastically successful, a fact that is largely forgotten these days. Paul plays Mellotron on two parts of the four-part Medley, Lazy Dynamite and Power Cut, although it's effectively inaudible on the former, with only a few string chords towards the end of the latter.

Despite Wings being at their commercial peak in 1976, a triple live album seems a little excessive, though it sold well enough at the time (I believe it was to counter a double-LP bootleg that had just appeared). I presume its near-two hours encompasses a whole gig, although it's taken from several different dates, as is often the way with these things. The band were a five-piece at this point, including Linda on keys; now, she was never going to challenge Oscar Peterson, exactly, but that's probably rather missing the point. McCartney wasn't after stunning musicianship, more a workable group dynamic (while Wings weren't exactly a democracy, I get the feeling there was some band spirit at the time), so having his competent-enough wife on keyboards makes perfect sense in that context. Her backing vocals were another matter, but maybe we should just draw a discreet veil over that issue. The album's tracklisting looks quaintly anachronistic now, many of its songs lost in the mists of time; Medicine Jar, Richard Cory, Time To Hide, anyone? Most of the band's hits are on it somewhere, as is guitarist Denny Laine's '66 hit with the pre-Justin Hayward Moody Blues, Go Now. No Give Ireland Back To The Irish, though... There's even a handful of Beatles songs, in those days before Paul would come to largely rely on them to fill arenas. Essentially, though, it's a Wings set, not an ex-Beatles'. 041b061a72